DAVID T. LITTLE
ANNE WALDMAN
MICHAEL JOSEPH MCQUILKEN
BETH MORRISON PROJECTS
THURSTON MOORE
TIMUR & JENNIFER HARRISON NEWMAN (THE WOMAN)
Timur and the Dime Museum (Timur, Lead Vocals; Matthew Setzer, Guitar; Andrew Lessman, Drums; Daniel Corral, keyboard; David Tranchino, Bass Guitar) | Isaura String Quartet (Emily Call, Violin; Mads Falcone, Violin; Rita Andrade, Viola; Nadia Sirota, Viola (audio); Betsy Rettig, Cello.
Timur and the Dime Museum (Timur, Lead Vocals; Matthew Setzer, Guitar; Andrew Lessman, Drums; Milo Talwani, keyboard; Hannah Dexter, Bass Guitar). Isaura Quartet (Emily Call, Violin; Mads Falcone, Violin; Laila Zakzook, Viola; ; Betsy Rettig, Cello.
DAVID T. LITTLE
ANNE WALDMAN
MICHAEL JOSEPH MCQUILKEN
Part film screening. Part industrial rock opera concert. Part immersive theater experience.
What does it take to face ourselves? Enter the darkness in search of something beautiful, transcendent. But be very careful what you need to know…
Drawing on the complicated mythologies of the surrealist writer William S. Burroughs (Naked Lunch), Black Lodge uses dance, industrial rock, classical string quartet, and opera to take viewers through a Lynchian psychological escape room.
Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.
Before experiencing Black Lodge, you are invited to step into the haunted world of BARDO, a liminal space between life and death where lost souls linger, awaiting passage to the next realm. In this immersive pre-show experience, you will confront your deepest secrets as you wander dark corridors amidst trapped shadows, tormented souls, and mystifying creatures, all bound to this otherworldly realm, in search of escape. Come dressed in your spookiest finery and prepare for unexpected encounters around every corner.
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January 11, 13,14, & 15 at 8:30 | January 12 at 5 pm | 70 Min at Village East by Angelika
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BARDO Creative Team:
Created and directed by Sandra Powers.
Produced by Beth Morrison Projects
Original Music by David T. Little.
Hosted by Jeffrey Damnit
Sindy Butz (butoh performer), Brittaney Talbot and Chad Wyszynski (shadow puppetry), Matt Bruce (psychic), Roger Frojas (hungry ghost), Deneen Melody (hungry ghost), Michelle LaVon (hungry ghost), Kent Jenkins (hungry ghost), Erin Maxick (nurse), Alison Stanley (nurse), Alec Anderson-Carrasco (confessions reader), Erica Malachowski (Artaud’s ghost), Michael Lanham (death), Olivia Xing (witch), Gary Cook (tormented writer), MaryKate Glenn (tormented writer), Keila Cone-Uemura (tormented writer), Prix de Beaute (burlesque), Cat Ravyan (page piercer), Pony Lee (page piercer), Darija Varnas (model), Megan Sutherland (model), Tiffany Brookefest (model), Tara Ozella (model) and Isaura String Quartet.
Opera commissioned by Beth Morrison Projects and the Allen R. and Judy Brick Freedman Venture Fund for Opera.
Film commissioned by Beth Morrison Projects, Opera Philadelphia, the Allen R. and Judy Brick Freedman Venture Fund for Opera, David & Kiki Gindler, Charlotte Isaacs, and Thomas H. Platz with additional support provided by the Howard Gilman Foundation.
Developed by Beth Morrison Projects, California Institute for the Arts, HERE Arts Center, and REDCAT. Additional production support provided by David & Kiki Gindler, Charlotte Isaacs, and Thomas H. Platz. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
"This is opera ripping through the fabric of future vision psychosis where the integrity of classic form clasps the hands of radical possibilities, David T. Little takes no prisoners here, in confluence with poet angel head Anne Waldman’s libretto of nature, irreality, and spirit consciousness, divining deliverance from life’s spectacle of chaos and love. You’re about to have your mind scorched, my friends!"
“Black Lodge is a bold new operatic film. It seamlessly blends poetry and music into a powerful cinematic experience.”
“A Twin Peaks-inspired musical theater piece”
"One of the most imaginative young composers on the music-theatre scene…not a post-classical composer but a classical composer with a surprisingly broad range.”
"A knack for overturning musical conventions”
"A counter-cultural giant."
“One of the top advocates for American Poetry"
"The premiere of a new work by the composer David T. Little is always worth exploring, and his operas — “Dog Days,” “JFK” — reveal him to be an especially powerful composer for the voice."
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